• Facistol. Wood and mounted cprints. 2013 ongoing.
  • Woman With Sombrero, Installation view. Yvon Lambert, 2014.
  • My letter of September 16, Your letter of September 16. letter, iPad, Refectory Cross inspired by Luis Barragán, 2013
  • Installation View, Yvon Lambert Paris, 2014
  • Der Trog, Installation view, Art Basel Parcours, 2013.
  • Der Trog, Installation view, Art Basel Parcours, 2013.
  • Der Trog, Detail
  • Installation view, Art in General
  • El Bebedero at Las Arboledas by Armando Salas Portugal, 2013. Book, photograph, frame. 
24.1 x 17.8 x 2.2 cm
  • Las Arboledos Junction. book, frame, 2013
  • The Shadows of the Eucalyptus Trees at El Bebedero, 16mm film, film container, 2013
  • Dearest Federica, 80 slides, audio. 2013
  • Side by Side They Looked into the Books as into a Double Mirror, Seeing Each Others Faces as well as Their Own, marked books, lamp, bedside table after Luis Barragán, 2013
  • Luis Barragán Alphabet/ VitraFutura, pencil on mylar, 2013
  • Barragán Alphabet/ VitraFutura, Pencil on mylar, diptych, 2013.
  • The Offering (Tapete de Flores), 2016
. Artificial flowers, natural flowers, dyed sawdust, salt, glue
. 8 meters in diameter.
  • Detail: The Offering (Tapete de Flores), 2016
. Artificial flowers, natural flowers, dyed sawdust, salt, glue
. 8 meters in diameter.
  • Installation view of The Exhumation, 2016
. HD video, 
6’7"
  • The Proposal, 2016. 
2.02 carat, blue, uncut, diamond with the micro-laser inscription "I am wholeheartedly yours," silver ring setting, ring box, related documents.
  • The Proposal, 2016. 
2.02 carat, blue, uncut, diamond with the micro-laser inscription "I am wholeheartedly yours," silver ring setting, ring box, related documents.
  • Ex-Voto (Installation view), LABOR, 2016
  • Ex-Voto (Installation view), LABOR, 2016
  • Ex-Voto: Miracle of the Diamond, 2016, Oil on tin, 9.84 x 4.59 x 3.46cm (3.87 x 1.81 x 1.36inches), Painted by Daniel Vilchis
  • Ex-Voto: Miracle of the Family, 2016, Oil on tin, 9.84 x 4.59 x 3.46cm (3.87 x 1.81 x 1.36inches), Painted by Daniel Vilchis
  • Installation View, The Offering (Tapete de Flores), 2016
. Artificial flowers, natural flowers, dyed sawdust, salt, glue
. 8 meters in diameter.
  • Installation View, The Offering (Tapete de Flores), 2016
. Artificial flowers, natural flowers, dyed sawdust, salt, glue
. 8 meters in diameter.
  • Installation View, The Archivist Vitrine, 2016. 
Vitrine, facsimile of the Proposal Letter to Federica Zanco and The Proposal, 2016. 
2.02 carat, blue, uncut, diamond with the micro-laser inscription, silver ring setting, ring box, related documents.
  • The Archivist Vitrine, 2016. 
Vitrine, facsimile of the Proposal Letter to Federica Zanco (4 pages.) 89 x 54.5 x 247 cm
  • The Proposal, 2016
. 2.02 carat, blue, uncut, diamond with the micro-laser inscription "I am wholeheartedly yours," silver ring setting, ring box, related documents.

The Barragán Archives

The Barragán Archives is an extended, multimedia project examining the legacy of Mexican architect and Pritzker Prize-winner Luis Barragán (1902–1988). Magid considers both Barragán's professional and personal archives, and how the intersections of his official and private selves reveal divergent and aligned interests, as well as those of the institutions that have become the archives' guardians.

Along with the vast majority of his architecture, Barragán's personal archive remains in Mexico while his professional archive, including the rights to the architect's name and work, were acquired in 1995 by Swiss furniture company Vitra, under the auspices of the newly founded Barragan Foundation. By developing long-term relationships with various personal, governmental, and corporate entities, Magid explores the intersection of the psychological with the judicial, national identity and repatriation, international property rights and copyright law, authorship and ownership. 

The project has resulted in a series of objects, installations and performances that unfolds in three chapters: Woman with Sombrero; The Proposal; and Ex-Voto. Exhibitions of the project exist as opportunities to push the narrative forward, and reflect —within the work— the legal parameters of the country in which they are shown.

See:

Woman With Sombrero (exhibition)

The Proposal (exhibition)

Ex-Voto (exhibition)

The Proposal (book)

The Proposal (film)

The Barragán Archives project has been shown at Art In General (New York), Art Basel Parcours, Kunst Halle Sankt Gallen, LABOR (Mexico City), Museo MAZ (Guadalajara), MUAC (Mexico City), San Francisco Art Institute, Yvon Lambert (Paris). The body of work comprising Woman With Sombrero has been acquired by the permanent collection of Centre Pompidou (Paris).